The romance of archeology: extract – III

Magoffin, R.V.D, Davis, Emiy C.The romance of archeology, Garden City Publishing Company Inc., 1929, New York

Chapter 3: Glamor of the Gift of the Nile, p67

Reisner believed  from the first that he had discovered, not a burial, but a reburial. Pharaoh Sneferu had made a tomb for his queen Hetepheres near his own pyramid at Dahshur. Sneferu died and was entombed. When Hetepheres died, her son Cheops placed her mummy in the prepared tomb, as is proved by inscriptions. Thieves broke into Queen Hetepheres’ tomb, but were discovered, and of course killed, before much treasure, if any, had been carried away. Cheops, seemingly, was having a secret tomb prepared near his own pyramid, but did not wait for its completion, but removed his mother to it at once.

Inside the tomb chamber was a marble sarcophagus, over which lay a number of faïence-inlaid sheets of gold. On the floor were several chairs overlaid with gold, and a set of eight marvelous toilet jars of alabaster. on what was left of a palanquin and bed were four identical inscriptions which, when translated, say: « the mother of the King of Upper and Lower Egypt, the Follower of Horus, the guide of the ruler, the favorite one whose every word is done for her, the daughter of the god of his body, Hetepheres.  » Inside a gold-encased box […] containing deben rings,  » were found two sets of ten anklets. These rings for the legs are inlaid with dragon flies of malachite, lapis lazuli, and red carnelian. They are of different diameters, graduated in size to fit the leg. On the floor also were discovered three cups of gold, two gold and five copper razors, three gold and four copper knives, as well as several flint knives and many pieces of pottery and alabaster. To the dismay of the excavators, when the lid of the sarcophagus was raised, no mummy was inside. It must have been hidden somewhere else.

The romance of archeology: extract – II

Magoffin, R.V.D, Davis, Emiy C.The romance of archeology, Garden City Publishing Company Inc., 1929, New York

Chapter 3: The Glamor of the Gift of the Nile, p 58

Queen Hatshepsut’s temple architect, Senmut, seems to have been this Egyptian Elizabeth’s Essex. In building the temple for his queen, he introduced his own portrait behind various doors in it. In the season 1927-1928, the Metropolitan Museum’s Egyptian Expedition found he had also dared to start a tomb for himself deep down and directly beneath her temple. Only one room of his tomb had been decorated before his downfall. Its ceiling represents a chart of the heavens, the best, and one of the earliest astronomical charts thus far found. Senmut also brought down from Assuan to Karnak two granites obelisks 97 1/2 feet high for the Queen’s jubilee. They were the tallest obelisks ever made with the one exception of that erected at Heliopolis by her enemy (and also her half-brother and nephew), Thothmes III […]

The romance of archeology: extract

 

I’m gonna put a bunch of these extracts on my blog. I fucking love this book. The writing… the entertainment value is incredible!

Magoffin, R.V.D, Davis, Emiy C., The romance of archeology, Garden City Publishing Company Inc., 1929, New York

téléchargement

Chapter One: The spade is mightier than the pen, p10

The recall of the veterans to arms was sponsored by Alcibiades, handsome, aristocratic, very rich, and very clever, and quite the most gifted in effrontery of any Athenian of that time; and in the sequel he proved to be the most debonair of all the plausible rascals of history. The soldiers, and boys under military age, and the discharged veterans all leaped to the call of opportunity. Our veteran in Euboea got together what little he needed, and then, before he left his new little house, he buried in a terra-cotta pot under his floor the balance of his money, among the pieces being a number of the new coins that had been minted that very year and paid to him when he was discharged. He hurried to Athens, was enrolled, and sent on board the fleet which was so eager to go that the ships raced one another down the Saronic gulf, as all the women of Attica on top of the houses at Piraeus waved them bon voyage. The expedition was the greatest debâcle of history. The entire force was killed or captured. The pot of coins, after 2,333 years, turned up accidentally by a spade in 1921, is one of the thousands of pitiful mortalities of that ill-starred expedition now archeologically authenticated.

Robin Hobb’s Elderlings are Dragonborns well done

I recently read the amazing Liveship Traders trilogy by Robin Hobb and one thing that leapt to my mind is how much more interesting the Elderlings are compared to D&D Dragonborns.

23f8b4ac35366553ec7ea42199bbb910

In my actual (Chult) campaign, to contrast with my human-centric previous one, I’ve let the players choose any character race, « even the dumb ones » I said. I was kind of relieved when none of them chose to play a Dragonborn as, for me, this race is certainly one of the dumbest fantasy race out there.

 Shaped by draconic gods or the dragons themselves, dragonborn originally hatched from dragon eggs as a unique race, combining the best attributes of dragons and humanoids.

A cop-out if there ever was. At least there’s no sexually deviant dragons copulating with puny humanoids, oh wait, that’s where Half-dragons come from! Sigh…

Dragonlance’s  Draconians were not much better (I mean, how much stolen dragon eggs you need to make whole armies?!) but at least they replaced the overly used orcs.

Now, what about Hobb’s Elderlings?

They were ancient humans that pretty much lived side by side in a symbiotic society with dragons. Because of their proximity with these powerful beings’ essence and the occasional use of special rituals, they have acquired variable degrees of draconic traits: scaling, greater height, bright eyes, longevity and so forth. The culture of the Elderlings, what few glimpses we have of it, is also quite intriguing. All in all, much more convincing origins…

Class variant: Flâneur

9780719081873

I won’t mess with the mechanics of the rogue as it is one of the few character classes that is perfectly okay within my Streets & Turmoil D&D setting but here is a little more flavour coming along with the flâneur. As always, the players will be free to do as they wish (almost) but it seems to me that a rogue character could well be played with these lines in mind:

The flâneur belongs to the same social and moral universe as the spy, agent de sûreté and, somewhat later, the detective. Like them, he strives to be both all-seeing and invisible (though, just as spies were commonly spied upon, so too the flâneur is himself not infrequently the object of physionomie) and, no less than Vidocq or Hugo’s Javert, he is a Protean figure capable of assuming a variety of disguises in order to pursue his scopophiliac passion undetected.

extract from The flaneur and his city by Richard D.E. Burton

The flâneur is a keen observer, so much so that using physionomie knowledge he can, from the dress, gait, etc. in a mere moment gain, like Burton says: « god-like power-through knowledge over the Other. »

Rosler-LeFlaneur

Well I think that would help explain a few things about the features of the rogue class (versatility, skills strength, backstab ability and so on).